Archive for the ‘Uncategorized’ Category

Eight Years Have Passed and Netflix Discovered the New Avatar

September 18, 2018

Netflix, partnering with Nickelodeon, has teamed up with Avatar: The Last Airbender co-creators Michael DiMartino and Bryan Konietzko to bring a live action series based upon the original series to their streaming service! Michael and Bryan will serve as executive producers and showrunners, with production scheduled to being in 2019.

“We’re thrilled for the opportunity to helm this live-action adaptation of ‘Avatar: The Last Airbender,’” said Konietzko  and DiMartino. “We can’t wait to realize Aang’s world as cinematically as we always imagined it to be, and with a culturally appropriate, non-whitewashed cast. It’s a once-in-a-lifetime chance to build upon everyone’s great work on the original animated series and go even deeper into the characters, story, action, and world-building. Netflix is wholly dedicated to manifesting our vision for this retelling, and we’re incredibly grateful to be partnering with them.”

netflix-airbender

Variety

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M. Night Vs. 30 Ninjas Part II

May 21, 2010

30Ninjas.com has recently published the second part of their interview with director M. Night Shyamalan, in which, Shyamalan explains the difficulty of creating a complete fantasy world.

JULINA TATLOCK: You know, one of the things that I love about your work is your ability to show the otherworldly within the everyday. And in Airbender, it’s almost the exact opposite.

M. NIGHT SHYAMALAN: Right, right (laughs).

JULINA: It’s the human relationships and the characters that you can identify with — that humanity in them is the everyday, but they’re within the otherworldly. This is common in fantasy and anime, but did you have concerns about the believability? Or was that a difficult leap for you in any way?

NIGHT: Yeah, I mean, it’s always tricky with a pure fantasy. You’re gonna have an advantage in a movie likeTransformers where the baseline is still the contemporary world. The baseline [in Airbender] is not anything that we’re used to, so it’s very, very tricky. It’s all about the tone. And it took a long time to get the tone right; editing, re-editing, looking at it — and then just getting the CGI, because we’d been editing without [the] CGI [shots] for so long. It was a balancing act that took a long time because we also had the tonality issues that the cartoon played very young and very “slapsticky,” and slowly extricating the balance that was necessary to make it an appropriate representation of the source material, which was beloved, but my version of it and edging it up.

M. Night goes on to comment on his love/hate relationship with previsualization, and dealing with those moments of stress that made him feel like he had lost control of the movie. Be sure to check 30ninjas.com to read the rest of the article!